4.29.2009

unexpected rainbow

Sometimes I surprise myself. Ok, well actually I do that often, but in this instance clothing surprised me. Somewhere around midnight last evening, I got the urge to sort through the closet and discard things I really shouldn't be hanging on to.
Buried amidst the fabric that had fallen off hangers long time ago was a pile of sequins. Suddenly a rush of memories. I've had this vintage rainbow sequin jumpsuit for years and totally forgot about it. How fabulous.

4.20.2009

monochromatic addiction

i found this picture among my files and i LOVE it. unfortunately, i had forgotten to save any information about it.
so sorry. :(


Confession time: I've had a long-standing addiction, by long-standing I mean six months, to black and white. Knowing me and my love of color this admission would seem odd.
I have several theories as to why the love of monochromatic......
a. a grad school class a year ago, required that I must work solely in black and white (much to my dismay and frustration)
b. the set i designed and painted (see below) for the theatre at which I now work, thrived in black, white and gold.set for Clue: the Musical, fall 2008

Since then I find great excitement in graphic patterns.
Rauschenberg- my favorite artistKline- the ultimate black and white artisteven my art is being bleached of the rainbow as of late
close up of "White Words"

4.16.2009

the art of makeup


It's finally here! The anticipation of waiting for Kevyn Aucoin's The Art of Makeup to arrive in the mail almost unbearable. This 14x11" over-sized beauty of a book is filled with 227 full color photographs. In a previous life, I was a makeup artist for several years and Kevyn Aucoin is my hero when it comes to artistic makeup. Brilliant. Beautiful. Knowledgeable. His books have it all. He shares all his "secrets" to the art and includes wonderful journaling about the person behind the makeup. I could read his books for hours. Sadly, I have never owned one until now. This book was published in 1994 and is inspiring. I have yet to find a book on makeup that I would recommend more. Enjoy the photos of his artwork!

4.13.2009

fiber and flowers

With spring tauntingly close in the weather, I've been anticipating pulling out all things floral and frilly to celebrate. One step outside....nope...too cold to go sleeveless. But this batwinged, sweatshirt by Norma Kamali is so often the perfect solution for those in-between days. It's like wearing a comfy blanket, but looks so much better than that option!
norma kamali batwing sweatshirt, thrifted shirt, belt and jeans.
shoes by predictions

vintage thrifted belt and ruffled shirt
oops. the ruffle is stuck in the belt :)

happy easter

Warm wishes on this Easter day.
art theory nerd moment: notice the simultaneous contrast between the egg and the napkin. lovely isn't it?

4.07.2009

what a woman may be

Meet Phyllis Schlafly, most commonly known as the "anti-feminist". I don't know about you, but hearing those words makes me stop, go back and read that again. Really? There is a woman who is anti-feminist? And there is an article about her in the Times?

Lest you think me ignorant, I realize there are many anti-feminist women out there. In fact, during the late 1800s, early 1900s , when women were pushing for their freedom and the right to vote, there were a great deal of "anti-feminists" spreading as much propaganda as the side we hear so often about. And ask anyone of my mother's generation, they all know Phyllis Schlarfly. She is as iconic as feminist, Gloria Steinem.

But in today's society, feminism is just accepted. Of course, there are the "wacko feminists" out there that we all hear about, but overall, every woman is just expected to be feminist. I immediately flash back to the WWII poster of Rosie the Riveter. We grow up thinking this way. Go women.
Unfortunately, other than, "girl power" or "go women", many women my age and younger have little knowledge of the feminist movement history or how it matters to us today. And I'll be perfectly honest, I only know as much as I do considering my grad work centered on the topic.

It's not a topic we really study in school, much less hear any controversy about in the media. We always hear the feminist viewpoint and that "go women" mantra is repeated to us in commercials. Don't take me wrong here, I greatly respect the goal of those commercials....to raise self-esteem and remind girls that we can be anything we dream to be.

Suzanne Braun Levine speaks of feminism in 2009, "I have a 22-year-old daughter who cannot really comprehend that when I got married, I was unable to take out a loan without my husband's signature, or that jobs were listed [as] male and female in the paper. It's inconceivable to her. On the one hand, that's a good thing because it means that she is somewhere else, that she doesn't have to deal with those things. On the other hand, it's a bad thing because she doesn't realize what a struggle women have in most societies."

Coming from the same generation as her daughter, I'd readily agree with her two statements. Feminism has done a world of good. But one must also realize, the feminism of Susan B. Anthony and the feminism of Betty Friedan are worlds apart.

Phyllis Schlafly says of feminism in her interview, "The feminist movement is not about success for women. It is about treating women as victims and about telling women that you can't succeed because society is unfair to you, and I think that's a very unfortunate idea to put in the minds of young women because I believe women can do whatever they want. Feminists don't honor successful women. You never hear them talking about Margaret Thatcher. Take Condoleezza Rice. She's a remarkable, successful woman. You don't hear the feminists talk about her or Carly Fiorina or Jeanne Kirkpatrick. They don't talk about them because they are just determined to preach this idea that women are unfairly treated in our society and they need legislation and government and taxpayers' money in order to get them a fair break. 

"

Both sides have valid points, really. And like everything in the world, there must be a balance. In many arguments, I'd say the anti-feminists are right. The feminists from the 1970s to today have swung way past their original goal....way beyond equality. Then again, I can't imagine living in a world without the freedom that feminism has granted us. Feminists are correct on so many levels.

The key here, in my opinion is go back to the beginning.....back to the roots. Understand where we, as women, have come from, what we have fought through and who we need to idolize.
There is so much clutter in society today. Stop. Reflect. Look to the past. How can we see where we are going, if we don't know where we came from?

Labor 2008 mixed media

Labor is a piece I did about a year ago this time with the same message as the last sentence of the previous paragraph. It is primarily made with a heavy duty watercolor paper that was painted, stamped, photo-transferred and written on. Then I went back through and stitched the paper to look like a quilt.

I chose the quilt as the vehicle to convey my message because of the significant symbolism it holds in woman's history. When you look at the top of a beautiful quilt, you see the brilliant colors, patterns and shapes. But if you were to unstitch the top from the back and turn it over, you'd find loose strings, raw edges and the underside of the colorful fabric.....you'd visually see the work that went into the thing of beauty.

Labor is the backside of a quilt. So often we, as women, easily forget the long years of toil and sacrifices that went into giving us freedom....the right to vote....equality. We have a rich and beautiful heritage.
close ups of Labor
click for more detail

parachute

As an artist, you know you've "made it" when you exhibit at the Met...the Metropolitan Museum of Art in NYC. The iconic Norma Kamali achieved this honor very early on in her amazing career by having her signature parachute designs chosen for display and their permanent collection. It's easy to see why. Years later, this timeless design is still inspiring.



all images Copyright 2009 NormaKamaliCollection.com
"THIS COLLECTION WAS DESIGNED IN THE 70'S MADE FROM REAL PARACHUTES. THE STYLES RANGE FROM JUMPSUITS, PANTS JACKETS SWIMSUITS SACK BAGS, SKIRTS. TIMELESS STYLES UNIQUE DESIGN ALL CONTRIBUTE TO THE FACT THAT THIS CATEGORY IS STILL PART OF THE NORMA KAMALI COLLECTION. NEW STYLES ARE ADDED EACH SEASON, CAMOUFLAGE PRINT , AND THE COLORS AVAILABLE IN THE NYLON PARACHUTES ARE WHITE FOR LANDING IN SNOW, BEIGE FOR LANDING IN THE DESERT , DARK GREEN FOR THE JUNGLE, AND BRIGHT ORANGE FOR SOS HELP!.
THE FABRIC IS RIP STOP NYLON AND THE CORDS ARE USED TO ADJUST LENGTH IN THE PARACHUTE STYLES."

4.06.2009

no worries

close up of Record
mixed media
2008
Dialects and accents have always fascinated me. And I'll be the first to admit that I am not great at imitation, but ever since meeting Dylan (pictured below) in FL, I've been inspired to learn the Australian accent.
Mid-conversation one day, I asked him to imitate an American accent. Momentarily his beautiful Australian accent was turned off and he began speaking with a Boston accent. I collapsed in laughter. Even more impressive was his feat of taking on the Southern American accent. Even funnier.
Then it was my turn to imitate his Australian and I failed miserably. Each time my accent turned British sounding, not Australian. This greatly amused him. In an effort to help, he'd slowly say a phrase and I'd repeat it. The tiny little nuances of sounds were incredibly difficult.
dylan

To my great excitement I found the Speech Accent Archive. A site full of sound recordings from people all over the world saying the same little paragraph. An accent is always a classy way to dress up your speech. :)

4.03.2009

photo or frick collection

photographer: Joanna Kustra
Sometimes a photo, painting, or sculpture will just strike you. Same with a beautiful piece of clothing or pair of shoes. We can all understand this feeling. As I was looking through FotoDecadent, as I sometimes do, this photo above struck me. There were several others of the same fashion in the shoot, but this one in particular seemed the most "true". And by that I mean the most true to a photo realistic painting. To see the rest of the photos, go here.

My mind immediately jumped to my first visit at the Frick. Yes, go ahead, get that laugh out. I made the mistake last summer of staging a play involving a mystery theft at the mansion of Mr. Frick with my group of 8 to 12 year old budding actors . After the first day of rehearsals and non-stop snicking, I change the lead character's name.
Anyways, back on track....the first time I visited the Frick collection in NYC, I was awe-struck by the painting below. She was taller than I was in real life. Seeing her in person, instead of a textbook was breath-taking. The amazing detail in her bracelet specifically kept my attention for at least 15 minutes. I tried to memorize every detail to tuck away into my growing technique. Just beautiful.
Jean-Auguste-Dominique Ingres (1780 - 1867)
Comtesse d'Haussonville, 1845
oil on canvas
51 7/8 in. x 36 1/4 in. (131.76 cm x 92.08
cm)
Purchased by The Frick Collection, 1927.

Bonus painting from the Frick Collection....just because it's lovely.
George Romney (1734- 1802)
Charlotte, Lady Milnes, 1788-1792
oil on canvas (lined)
95 1/8 in. x 58 3/4 in. (241.62 cm x 149.23 cm)
Henry Clay Frick Bequest.